Gallery Hopping NY

 Blog #20 January 27, 2023. by catherineabrams.com/catherineabramsartworks.com Deborah BUTTERFIELD at  Marlborough Gallery Τα Αλογα της Ντεμπορα Μπατερφιλντ στην Γκαλλερη Μαρλμπορο. Η καλλιτεχνης χρησιμοποιει μπρουντζο με πατινα για αυτα τα αγαλματα που ειναι σε φυσικο μεγεθος,  σαν να ηταν ζωντανα.  Πολλα  εκμαγεια συνδεονται για το τελειοτικο εργο. Η πατινα κανει τα αλογα να μοιαζουν σαν να ειναι καμωμενα απο ξυλα αποβρασμενα απο την θαλασσα. Deborah Butterfield was born on the same day as the 75th Kentucky Derby, an event which she describes as an impetus for her lifelong fascination with her unique subject matter: horses. Along with boarding and caring for her own horses, her sculptures exemplify the great appreciation and respect she has for them. Despite being an accomplished rider herself, Butterfield renders her horses as stoic and unridden, fixed in a perpetual state of solitude, their branch-like corporeality almost haunting. Simultaneously, her sculpt...

 Blog #19. The New York Sotheby's Masters Auction. January 21, 2023 Γεια σας, Σας στελνω ενα λινκ απο τα εργα που θα βγουν  σε δημοπρασια στου Σοθεμπιζ. https://www.sothebys.com/en/series/masters-week-1?locale=en Hi, Here is a link of art works to be auctioned at Sotheby's New York. https://www.sothebys.com/en/series/masters-week-1?locale=en Jean-Étienne Liotard Jardinière de pommes Tiepolo, work on paper.   Τιεπολο, σχεδιο σε χαρτι. Sir Peter Paul Rubens Salome presented with the head of Saint John the Baptist Jacob van Ruisdael Landscape with a windmill.   Τοπιο με μιλο. Pieter Brueghel the Younger The wedding procession.   Γαμηλια πομπη. Dutch School, 17th -18th century:  Shipping  Scene on Calm Waters.   Πλοια σε ηρεμα νερα. NikeNike Air Jordan 1 Retro High Chicago 2015 | Size 102,200 USD Σνικερ Ναηκι. Εαρ Τζορνταν Princess Diana Ball Dress by Victor EdelsteinEstimate: 80,000 – 120,000 Φορεμα χοροεσπεριδας της Νταηανας Σπενσερ σχεδιασμενο απ...

 Blog #18  January 14, 2023  Eric Zener and Richard Combes at Gallery Henoch Ερικ Ζενερ και Ριτσαρντ Κομβς στην Γκαλλερι Χενοκ ERIC ZENER b.1966. Astoria, Oregon, USA  Ερικ Ζενερ, 1966, Αστορια, Ορεγκον Pathways, oil on canvas, 40" x 30" Μονοπατια, ελαιογραφια, 40" Χ 30" Bloom,  οil on canvas, 66" 88" Ανθη, ελαιογραφια, 66" Χ. 88" Release, oil on canvas, 48" x 48" Καταδυση, ελαιογραφια,  48" Χ 48" Last Day of Summer, oil on canvas, 60' x 70" Η τελευτεα μερα του καλοκαιριου, ελαιογραφια, 60" Χ 70" ------------------------ ΡRICHARD COMBES  b. 1963, Manchester, England Ριτσαρντ Κομπς. 1963, Μαντσεστερ, Αγγλια Street Corner, Tribeca, oil on canvas, 31" x 31" Δρομος στην Τρεμπεκα, ελαιογραφια, 31" Χ 31" CollisterStreet, After the Rain, oil on canvas, 72 x 60" Δρομος Κολλιστερ, Μετα την Βροχη, ελαιογραφια, 72" Χ 60"  ---------------------------------------------------------------...

Blog #17. January 6,2023       by catherineabramsartworks.com Skarstedt Gallery presents  Cristina BanBan: Mujeres . Featuring new work, the exhibition marks BanBan’s first show with the gallery. Gallery's Press Release Each of the paintings on view are titled either  Mujer   or   Mujeres , Spanish for woman or women. This word gets to the heart of BanBan’s practice, which remains consistent in its subject matter even as she continues to mature and evolve as a painter. Women—their bodies and contradictory emotions—are BanBan’s core subject. Through their forms, she is able to filter her daily experiences and vast array of influences onto the canvas. The result is a series of works that are at once personal and universal. The various women in BanBan’s universe do not meet the viewer’s gaze, nor do they necessarily engage with those around them. While this may speak to the pervasive feeling of isolation in our contemporary society, it also underscores th...

 Blog #16. December 26, 2022             by         catherineabramsartworks.com ANNA WEYANT's Show at the Gagosian Gallery ,  960 Madison Ave., NYC, Nov. 3-Dec 23, 2022 Between Terror and Hilarity Εκθεση Αννας Γουεηαντ  Μεταξυ Τρομου και Χιουμορ Mark Twain said something about humor being “tragedy plus time.”  If there’s humor in my work, it probably goes hand in hand with some sort of weird misery .  Ο Μαρκ Τουεην ειπε οτι το χιουμορ ειναι "τραγωδια συν το περασμα του χρονου".  Η Αννα Γουεηαντ λεει αν υπαρχει χιουμορ στα εργα μου, ισως συνδεεται με μια παραξενη μιζερια. —Anna Weyant Quote from Gagosian Gallery Press release: ...An exhibition of new paintings and drawings by Anna Weyant in New York... . Baby, It Ain’t Over Till It’ s Over  features seven new paintings along with ten new drawings. The exhibition, which sees Weyant further develop the aesthetics and themes of her previous work, takes its ...

 Blog 15, December 19, 2022.                catherineabramsartworks.com Nassau Art Museum Photography Show: The Big Picture , Nov. 19-March 5, 2023 Εκθεση Φωτογραφιας ¨Η Μεγαλη Εικονα", Νοεμβριου 19-Μαρτιου 5, 2023 στο Nassau Art Museum   The show includes photographs from established photographers like Robert Capa,  "Hemigway with his son Gregory", Ρομπερτ Καπα, Ο Χεμηνγουεη και ο γιος του Γκρεγκορη Edward Weston's "Cabbage Leaf",   Εντουαρντ Γουεστον, Φυλλο Κουνουπιδιου Walker Evans photographs from the Tenants in Alabama in the time of the Great Depressiοn (c.1936).   Γουοκερ Εβανς,  Κατοικος Αλαβαμας την περιοδο της οικονομικης κρισης (1936)   Also photographs by Berenice Abbot's Magnetic Fields, Dorothea Lange's Migrant Mother, Man Ray's  portraits of Elsa Schiaparelli and Coco Chanel,  and Contact Sheet  of Juliet Man Ray Sunbathing, Bill Cunnigham's iconic portraits, Ansel Adams images of Yo...

  Blog #14.    Dec. 11, 2022.    Anselm Kiefer's "Exodus" at the Gagosian Gallery , until December 23rd. Η "Εξοδος" του Ανσελμ Κιφερ  στην γκαλλερι Γκαγκοσιαν μεχρι τις 23 Δεκεμβριου Quote from the gallery's press release. I have been a stranger in a strange land.   Ημουν ξενος σε ξενη χωρα, Εξοδος 2¨22 —Exodus 2:22 The large-scale paintings on view employ a wide range of materials including paint, terra-cotta, fabric, rope, wire, found objects, sediment of electrolysis, and metal—including copper and gold leaf. Mixing the abject and the exalted, these works are imbued with gesture, a sense of metamorphosis, and alchemical symbolism. Kiefer’s syncretic approach to materials extends to his understanding of history, literature, and mythology as forces that inform the present. In this new body of work, he incorporates inscriptions in Hebrew from the book of Exodus, with thematic references to its narrative blended with a diversity of other sources. Full o...